By Amina Ahmed.
Photo: Courtesy Engendered
By Bharti Kher.
Photo: Courtesy Engendered
‘Russian doll Gandhi’, Debanjan Roy.
Photo: Courtesy Engendered
‘Spaces 12’ (graphite on soft stone), Debasish Mukherjee.
Photo: Courtesy Engendered
Untitled (gouache on Nepali handmade paper), Ganesh Haloi.
Photo: Courtesy Engendered
By Jogen Chowdhury
Photo: Courtesy Engendered
‘Carrying Capacity’ (concrete and wood), L.N. Tallur.
Photo: Courtesy Engendered
‘Truly Equivocal’, (acrylic on handmade paper), Manish Pushkale.
Photo: Courtesy Engendered
‘Mythologies and Mushrooms’, (gouache on paper, waste making tape), Priyanka D’Souza.
Photo: Courtesy Engendered
By Prasanta Sahu.
Photo: Courtesy Engendered
‘The Body – City’, (stoneware clay, pigments, welded iron, gold leaf), Rahul Kumar.
Photo: Courtesy Engendered
‘Strange Genders’, 64/1 and Harshit Agrawal
Photo: Courtesy Engendered
‘Strange Genders’, 64/1 and Harshit Agrawal
Photo: Courtesy Engendered
‘5 Seeds’ (acrylic on canvas), Manish Pushkale.
Photo: Courtesy Engendered
‘Krishna-Krishna’, (diptych, mixed media on canvas), Mona Rai.
Photo: Courtesy Engendered
‘Manuscript for the Book of Time (to be written)’, (typewritten text stack of paper), Neerja Kothari.
Photo: Courtesy Engendered
‘Summer Night’, watercolour, Paresh Maity.
Photo: Courtesy Engendered
By Prasanta Sahu.
Photo: Courtesy Engendered
‘Untitled’, (paper, acrylic, cement) Puneet Kaushik.
Photo: Courtesy Engendered
‘Marking the Frame, the Secret History of Shape Shifters’, Ranbir Kaleka.
Photo: Courtesy Engendered
‘The Body – City’, (stoneware clay, pigments, welded iron, gold leaf), Rahul Kumar.
Photo: Courtesy Engendered
‘Continuities of Construction’, fabric installation, Ravindra Gundu Rao & Shruti Mahajan.
Photo: Courtesy Engendered
‘Matters of the Heart’, Rekha Rodwittiya.
Photo: Courtesy Engendered
By Jogen Chowdhury
Photo: Courtesy Engendered
‘Hanuman Joining the Festivities’, watercolour, Sakti Burman.
Photo: Courtesy Engendered
Untitled, Shailesh BR.
Photo: Courtesy Engendered
‘Chiriya Udd. Sickles Expanse’, iron installation, Shambhavi.
Photo: Courtesy Engendered
‘Fragments’, Shruti Mahajan.
Photo: Courtesy Engendered
‘Soaring to Nowhere’, Sudipta Das.
Photo: Courtesy Engendered
‘Tracing Modernity in Dust, and Light’, Tanya Goel.
Photo: Courtesy Engendered
‘A Fountain’, (gouache on acid-free wasli), Wardha Shabbir.
Photo: Courtesy Engendered
Body of Water II, Arpita Akhanda.
Photo: Courtesy Engendered
‘Flag (Warped)’, Ayesha Singh.
Photo: Courtesy Engendered
Untitled, Bholanath Rudra.
Photo: Courtesy Engendered
Untitled (gouache on Nepali handmade paper), Ganesh Haloi.
Photo: Courtesy Engendered
‘Scores from the Dark I’, Bose Krishnamachari.
Photo: Courtesy Engendered
‘Somewhere in Northeast India, Part-II’, (woodcut), Chandan Bez Baruah.
Photo: Courtesy Engendered
‘White Pot’, (terracotta and marble), Chandrashekar Koteshwar.
Photo: Courtesy Engendered
‘Memory of Neighbourhood’, Dilip Chobisa.
Photo: Courtesy Engendered
‘Nox Umbra-Fallen Angels’, (oil on canvas), Divya Singh.
Photo: Courtesy Engendered
‘Khoai Landscape’, (pen, ink and pricking with needle on paper), Ghana Shyam Latua.
Photo: Courtesy Engendered
Untitled, G.R. Iranna.
Photo: Courtesy Engendered
‘Masked Reality’, (AI-based interactive installation), Harshit Agrawal.
Photo: Courtesy Engendered
‘Thorny Flower’, (pencil, charcoal, ink and acrylic), Jayashree Chakravarty.
Photo: Courtesy Engendered
‘Truly Equivocal’, (acrylic on handmade paper), Manish Pushkale.
Photo: Courtesy Engendered
‘Spaces 12’ (graphite on soft stone), Debasish Mukherjee.
Photo: Courtesy Engendered
‘Maximum Capacity’, (steel and reclaimed wood), Martand Khosla.
Photo: Courtesy Engendered
‘Festival of Lights’, Mona Rai.
Photo: Courtesy Engendered
Untitled, (collage and rapidograph on paper), Niyeti Chadha Kannal.
Photo: Courtesy Engendered
‘Traces (Home)’, (miniature brick, iron rods, and concrete), Noor Ali Chagani.
Photo: Courtesy Engendered
‘#91’, (ink on archival paper), Parul Gupta.
Photo: Courtesy Engendered
‘Udaan’, (Nepali handmade paper, canvas, cotton fabric, bangles, acrylic paint), Piyali Sadhukhan.
Photo: Courtesy Engendered
Untitled, (iron, ink on canvas), Maksud Ali Mondal.
Photo: Courtesy Engendered
By Raghava K.K.
Photo: Courtesy Engendered
‘Portrait of Sankari’, Ravinder Reddy.
Photo: Courtesy Engendered
‘The Words I Don’t Have’, (ink, collage on vintage photographs), Samanta Batra Mehta.
Photo: Courtesy Engendered
By Bharti Kher.
Photo: Courtesy Engendered
Untitled, (colour woodcut), Sangita Maity.
Photo: Courtesy Engendered
‘My New Look’ #2, (stainless steel razor blades), Tayeba Begum Lipi.
Photo: Courtesy Engendered
Untitled, (brass), Teja Gavankar.
Photo: Courtesy Engendered
By Anindita Bhattacharya.
Photo: Courtesy Engendered
By Khadim Ali.
Photo: Courtesy Engendered
‘Wedding Jange II’ by the Singh Twins.
Photo: Courtesy: Engendered
‘Son et Lumiere’, Nilima Sheikh.
Photo: Courtesy Engendered
‘The Plain of Aspiration-1’, Paula Sengupta.
Photo: Courtesy Engendered
Untitled, (interfacing pigment colour, silver leaf on archival wasli paper), Waseem Ahmed.
Photo: Courtesy Engendered
‘A Visitor to the Court-16’, (watercolour, gouache and gold on archival black and white digital photograph), Waswo X. Waswo.
Photo: Courtesy Engendered
By Amina Ahmed.
Photo: Courtesy Engendered
‘Kamdhenu‐1’, (gouache and gold leaf on paper), Yugal Kishore Sharma.
Photo: Courtesy Engendered
‘The Fires of Faith 2’ by Benitha Perciyal.
Photo: Courtesy: Engendered
Untitled, Himmat Shah.
Photo: Courtesy Engendered
‘Robes’, moving image lightbox, Sheba Chhachhi.
Photo: Courtesy Engendered
‘Unresolved Erasures’, (watercolour on arches paper), Gulam Mohammed Sheikh.
Photo: Courtesy Engendered
‘Shwanapani’, (painted terracota), Manjunath Kamath.
Photo: Courtesy Engendered
Untitled, Laxma Goud.
Photo: Courtesy Engendered
Untitled, (charcoal and dry pastel on paper), Chandra Bhattacharjee.
Photo: Courtesy Engendered
‘Russian doll Gandhi’, Debanjan Roy.
Photo: Courtesy Engendered
‘Mythologies and Mushrooms’, (gouache on paper, waste making tape), Priyanka D’Souza.
Photo: Courtesy Engendered
‘Carrying Capacity’ (concrete and wood), L.N. Tallur.
Photo: Courtesy Engendered
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