Phoebe Bridgers Appears in Court as Judge Hints He’ll Spike Defamation Lawsuit

Phoebe Bridgers appeared in person at a high-stakes court hearing Thursday and learned that a judge is “leaning” toward granting her request to strike a defamation lawsuit filed against her by a recording studio owner.

The Grammy-nominated singer-songwriter wasn’t needed for any testimony in the civil case, so her presence was a show of support for her anti-SLAPP motion claiming she was protected by the First Amendment when she accused Sound Space studio owner Chris Nelson of abusive conduct in an October 2020 Instagram post.

SLAPP stands for “strategic lawsuits against public participation,” so an anti-SLAPP motion aims to stop a plaintiff from using burdensome litigation to censor or intimidate critics exercising their right to free speech.

“I’ve had time to think about this, and I certainly have some formulated thoughts, where I’m at, where I’m leaning,” Judge Kin told the parties before ending the hearing without a final ruling. “I’ll tell you outright that I would tend to think that I would grant the anti-SLAPP motion. It would seem to me that the posting by Ms. Bridgers is one that is a matter of public interest. It seems to me that her statements on Instagram are statements that concern a person who’s in the public eye, as well as statements that could directly affect a large number of persons beyond Mr. Nelson and Ms. Bridgers.”

Judge Kin said he further believed it was likely a “matter of public interest when Ms. Bridgers, in her Instagram post, intended to provide protected consumer information to musicians or others who might consider working with the plaintiff.”

According to Judge Kin, Nelson’s attempt to portray himself as a private person for the purposes of anti-SLAPP was “inconsistent” with his own lawsuit, wherein he describes himself as a “well-established” producer known to famous artists and instrument collectors.

In her 2020 Instagram story at the center of the lawsuit, Bridgers voiced support for her friend Emily Bannon, who previously dated Nelson, as she directed her followers to a separate Bannon-authored Instagram story titled, “I stand in Solidarity with those coming forward with allegations against Chris Nelson.” The Bannon thread accused Nelson of fraud, theft, and violence.

“I witnessed and can personally verify much of the abuse (grooming, stealing, violence) perpetuated by Chris Nelson, owner of a studio called Sound Space,” Bridgers’ post, which appeared on her Instagram account for 24 hours, read. “For anyone who knows [Nelson], is considering working with him, or wants to know more, there is an articulate and mind-blowing account on @emilybannon’s page as a highlight. TRIGGER WARNING for basically everything triggering.”

Nelson filed his defamation lawsuit in September, claiming Bridgers “maliciously and intentionally” posted her statements knowing they were “false.” He claims Bridgers and Bannon engaged in a “revenge plot” after his dating relationship with Bannon ended.

“As a result of defendant Bridgers’ statements, musicians and artists removed plaintiff from their projects and stripped plaintiff of credits that he had obtained in producing their music,” Nelson’s suit claims. He alleges Bridgers’ “misleading” post caused him to lose business and suffer damages of at least $3.8 million.

Bridgers declined to comment to Rolling Stone as she left the courthouse Thursday.

Nelson previously sued Bannon for defamation in December 2020. That case was put on hold in April as Bannon appeals another judge’s order denying her special motion to strike.

In another lawsuit filed in December 2020, Nelson accused former Saturday Night Live actress and singer-songwriter Noël Wells of making “false, defamatory, and misleading” comments when she allegedly warned indie rock band Big Thief against working with him in July 2020.

A judge later tossed that case after Wells and her legal team argued she sent her cautionary email to Big Thief’s manager in a protected effort to “assist” the band with its right to hire — or not hire — anyone it chooses in the furtherance of its exercise of artistic free speech.