Ruth Slenczynska: the pupil of Rachmaninov still releasing music at 97

The greatest lesson Ruth Slenczynska learned from the Russian composer Sergei Rachmaninov was that sounds have colour.

Nearly 90 years ago, the nine year-old Slenczynska was practising one of Rachmaninov’s preludes when he asked her to join him at the window. It was springtime in Paris, and the avenues were lined with mimosa trees laden with fluffy, golden blossoms.

“He said: ‘You see that? That’s what you want to bring to your sound – gold.’ I said: ‘Show me.’ So he sat down at the piano and put colour into his sound, he made it meaningful. And a little kid can copy anything,” she said.

Next month, Slenczynska, who has just celebrated her 97th birthday, will release her latest album after signing a global record deal. Born in California to Polish parents, the pianist gave her first recital at the age of four and was heralded as one of the greatest child prodigies since Mozart. She made her debut with a full orchestra in Paris at seven.

“Playing music is like taking a ride on a bus – you mustn’t let your passenger get off until he arrives at his destination,” she said. “Keep them interested in a beautiful way. I still try to do that.”

Each track of My Life in Music, released by Decca Classics, recalls a pianist or composer Slenczynska knew personally. Her friends and mentors have included a string of 20th-century classical music giants. Not only Rachmaninov – she is considered to be his last living pupil and often wears a Fabergé egg necklace he gave her – but also Artur Schnabel, Josef Hofmann, Egon Petri, Alfred Cortot and Samuel Barber.

She is quick to point out, however, that the life of a child prodigy was not easy. Slenczynska’s father, Joseph, a one-time head of the Warsaw Conservatory, was a tyrannical figure determined that she become a successful musician at any cost.

She remarked in her 1957 autobiography, Forbidden Childhood, about the emotional stress of having to practise nine hours a day without room for mistakes. “Nobody chooses to be a prodigy,” she said now. “I was pushed very strongly by my father, who thought it was a way to make money. Really, I was never a child.”

Slenczynska withdrew from performing when she was 15 and eventually cut off her father completely. She enrolled for a psychology degree and did not return to the concert stage until 1951. Since then, she has recorded 10 LPs for Decca Classics while holding a series of university teaching jobs.

She has played for Michelle Obama and five US presidents, including Herbert Hoover, John F Kennedy, Jimmy Carter and Ronald Reagan, as well as performing a four-hand duet with Harry Truman.

Slenczynska was in Washington for a concert when she received a mysterious phone call asking if she could alter her plans. The next morning, she was picked up “by a gorgeous car” and driven – to her surprise – to the White House.

“We got to a great big double door, with a marine on each side. I walked in and there was Mr Truman, president of the United States. He shook my hand and said: ‘Would you like to play the duet with me?’”

The president, it transpired, had been practising a Mozart sonata and wanted to play with the best. “We sat down on the bench together and it went very well. He played very musically and attractively. Afterwards everyone applauded. Then I was pulled away and I said: ‘I didn’t even get a picture!’”

Years later, after a concert in Kansas City, she had an unexpected visitor. “It was a nasty, cold evening with sleet coming down. I was changing backstage, when there was a knock at the door. I thought it was the lady who brought me. I opened the door and Mr Truman came in. ‘You played four hands with me once, remember?’ he said. And we had the most marvellous chat.”

For all the huge changes she has lived through since her childhood debut, Slenczynska’s commitment to the art of music and performance has remained steadfast. During the first Covid-19 lockdown in 2020, she uploaded home recordings of Beethoven’s sonatas to YouTube to celebrate his 250th birthday. Her next recital, to mark her own, takes place in Pennsylvania on 6 February.

Her age, she says, has “kind of crept up on” her. “All at once you look back and say: ‘Oh, my goodness, that happened 50 years ago.’ I still keep on my dresser a picture of my lovely husband. And every once in a while, it dawns on me – he died in 2000. But I’d marry him again if I could, he’s still my sweetheart.”

Does she have any regrets? “No,” she says, “looking back doesn’t do any good. Look forward, and make that as beautiful as you can.”