Composer Gary Clark On Making Flora and Son… Remember the joy that came from experiencing the 2016 hit film, Sing Street? The film chronicled a 1980s Dublin…
Glyndebourne’s Dialogues des Carmélites review —… What drives people to commit themselves to a belief system? Few works in the performing arts are serious…
The Groundhogs’ Tony McPhee will remain a hero… The comic strip cover of the 1972 album Who Will Save the World? The Mighty Groundhogs depicts the trio as a band…
‘Musically dangerous’: Fountain Collective’s… Avant-garde experimental jazz improv group the Fountain Collective have traditional training and practise…
Be in sync – musically, and temperamentally:… There may have been umpteen occasions on which this reporter has interacted with Hariharan and Leslee Lewis in the…
Nina Hagen: Unity review – musically eclectic to… You can’t accuse Nina Hagen, regarded as the godmother of German punk – and the soundtrack to former German…
Aida, Royal Opera review — no spectacle but… Among grand operas, there is none grander than Verdi’s Aida, first performed in Cairo in 1871. Egyptian…
Jermaine Dupri Reacts to Criticism of Dvsn’s… If you aren’t feeling Dvsn’s latest single, then, you clearly lack taste and music knowledge—at least, that’s what …
Rex Orange County: ‘I feel like I’m… Rex Orange County joins Hanuman Welch on ALT CTRL Radio on Apple Music 1 to discuss his upcoming album ‘Who…
Earl Sweatshirt: Sick! review – a musically rich… Before Free Britney there was Free Earl, the 2010 movement to “liberate” the then 16-year-old US rapper Earl…