Dexys: The Feminine Divine review | Alexis… Diehard Dexys fans have long been primed to expect the unexpected. Almost from the moment they first appeared, as…
J Hus: Beautiful and Brutal Yard review | Alexis… At the end of last month, a series of cryptic messages appeared on electronic billboards in east London. “With da…
Anohni and the Johnsons: My Back Was a Bridge… You would be hard-pushed to call Anohni’s sixth studio album – her first since Hopelessness seven years ago –…
Kim Petras: Feed the Beast review | Alexis… These are high times for Kim Petras. Previously a marginal figure in the world of pop – she attracted a degree of…
Asake: Work of Art review | Alexis… ‘Oluwa gbe from the slum to the top,” sings Asake on Awodi, the second track from his second album. It’s a typical…
Janelle Monáe: The Age of Pleasure review |… For over a decade, Janelle Monáe has carved a niche for herself as a purveyor of R&B so high concept that even…
Foo Fighters: But Here We Are review – a raw,… In 1995, Foo Fighters released their eponymous debut album, recorded by Dave Grohl alone the previous year in the…
Water From Your Eyes: Everyone’s Crushed review… We live in an environment that encourages rock and pop artists to make an immediate splash, to cut through the…
Lewis Capaldi: Broken By Desire to Be Heavenly… Last month, the 90-minute documentary Lewis Capaldi: How I’m Feeling Now premiered on Netflix. Its effect on the…
Overmono: Good Lies review | Alexis… Overmono take their name from a suburb of their Welsh home town. You could take that as a knowing joke from a duo…