Flooded cities, burning trains: Poonam Saxena on… Recently, I saw one of the best films I’ve watched this year, 2018, a Malayalam film about the devastating floods…
Before they peaked: Poonam Saxena on hill… As a blanket of blazing heat descends on the north Indian plains, it’s time for the great summer exodus to the…
Master filmmaker Yash Chopra and his working… The most notable part of Netflix’s four-part documentary series The Romantics is the discovery that Aditya Chopra…
Too many screens have timed out: Poonam Saxena… As audiences trickle back into cinema halls, I’ve been thinking of how different the movie-going experience used to…
Capital letters: Rereading Andhere Band Kamre,an… Delhi in the 1950s. The novel opens at Connaught Place. The narrator, Madhusudan, has just got off a bus and is on…
Baiju Bawra deserves an encore, says Poonam… Why does Sanjay Leela Bhansali want to remake a film that turned 70 this month (it was released in October 1952)? I…
Retell therapy: Indian literature is flourishing… In how many languages can you say congratulations? Some time in the coming week, the shortlist for the JCB Prize,…
Poonam Saxena on Gandhi’s early brush with death On October 2, in what seems to be the tail end of the Covid-19 pandemic, I am reminded of a quarantine aboard a…
A BA, a cough: How Bollywood clichés can unlock… The number of times people talk about Bollywood clichés has become something of a cliché in itself. But the adage…
A writer, a mystery, a quiet tragedy: The… If the legendary Premchand endorsed a writer and called him “the future of Hindi literature”, one would expect a…