‘Here Lies Love’ review: David Byrne musical… Call it Studio 53. For the Imelda Marcos bio-musical “Here Lies Love,” which opened Thursday night a…
‘Once Upon a One More Time’ review: Britney… Fresh off of “Bad Cinderella” comes the new Broadway musical “Once Upon a One More Time” — an even worse…
‘Grey House’ review: Horror falls flat on… The play “Grey House,” which opened this week at the Lyceum Theatre, attempts to be a new horror movie…
‘Good Night, Oscar’ review: Sean Hayes stars in… That Sean Hayes transforms in the new play “Good Night, Oscar,” there is no doubt. Whether the end…
‘Prima Facie’ review: Brilliant Jodie Comer is a… At the play “Prima Facie,” which opened Sunday night on Broadway, the audience is hit by two wildly…
‘Peter Pan Goes Wrong’ review: Neverland… I do believe in f – – kups! I do! I do! And that’s what “Peter Pan Goes Wrong,” the happily…
‘Life of Pi’ review: Eye-popping effects make a… A pair of extraordinary elements make the new spectacle show “Life of Pi” seaworthy: stunning…
‘Sweeney Todd’ review: Josh Groban is a gentle… Our eyes don’t normally well up with tears during “Sweeney Todd: The Demon Barber of Fleet Street,”…
‘Parade’ Broadway review: Flawed musical gets… The greatest asset of the Broadway revival of “Parade,” Jason Robert Brown’s sorrowful if flawed musical…
‘A Doll’s House’ Broadway review: A strong… Usually stripping a play down to the bare essentials — simple costumes, a few chairs — renders it rawer…