‘Death of a Salesman’ Broadway review: So-so…
There are more tricks than exciting drama in the latest revival of “Death of a Salesman,” which opened…
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theater reviews
‘Leopoldstadt’ Broadway review: Tom Stoppard’s…
A grandmother makes a depressing observation early on in Tom Stoppard’s latest play “Leopoldstadt,”…
‘Titanique’ the musical review: Off-Broadway…
They called “Titanique” the show of dreams. Fever dreams. And it was, it really was.
The off-Broadway…
‘Richard III’ review: A woke misfire for…
There is something seriously wrong with Richard III.
Not only the royal rogue — a murderous…
‘Into The Woods’ Broadway review: High-octane,…
The sublime new revival of the musical “Into The Woods” that opened Sunday night on Broadway is radical.…
‘The Bedwetter’ review: Sarah Silverman’s life…
The new musical “The Bedwetter,” based on comedian Sarah Silverman’s memoir, is not as tight as a fitted…
‘Mr. Saturday Night’ review: Billy Crystal…
The Borscht Belt is alive and kvell on Broadway.
Over at the Nederlander Theatre is Billy Crystal’s…
‘A Strange Loop’ review: Pain with a side of…
“Ouch!” is the main takeaway of the intriguing, autobiographical new musical “A Strange Loop,” which…
‘The Skin of Our Teeth’ review: A set as big as…
The set is the real star in Thornton Wilder’s geezer of a play that saw its latest revival open Monday night on…
‘Funny Girl’ review: Beanie Feldstein’s Broadway…
Theater review
Two hours and 50 minutes with one intermission. At the August Wilson…