Compton – who doubles as director and designer – creates the credible world of a Cornish fishing village with planking, ropes and fishing nets on which the large cast dance, strut and sing as well as playing a variety of instruments.
The choreography alone is a marvel of ingenuity, as. nobody gets their eye poked out by a fiddle bow or trips over the double bass.
The storytelling songs are enormously evocative in the folk tradition of Come From Away and the swirling activity around Benjamin serves to highlight his isolation.
Parker is superb as Button, growing younger simply through altering his posture and voice, and is supported by a cast for whom the word ‘versatility’ might have been coined. Some kind of wonderful.
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