Cruise’s initially callow Charlie has the real character arc of the movie, and Cruise’s beautifully modulated work anchors the film, even as the already confident young star concedes the spotlight to Hoffman’s more showy performance. The film itself is modest, formulaic to a degree, and yet warm and funny. This and the less effective The Color of Money from two years earlier represent a turning point for Cruise’s maturity as an actor.

11. Jack Reacher (2012)
Yes, we know: Jack Reacher in Lee Child’s books is a monster of a man—six-foot-five!—while Tom Cruise is nearly a foot shorter (he’s five-seven). We realize that Alan Ritchson, who currently plays Reacher on the Prime Video series, is a much more physically accurate version of the character. But, admittedly never having read the books, we still find much to like in Cruise’s tough, no-nonsense, dark performance as the mysterious drifter who helps people solve their problems.
Cruise is front and center and does his part justice, and even if the script is fairly routine, the action is terrific. We mean, who doesn’t like a movie where Werner Herzog is cast as a terrifying Russian villain? We respect Reacher fans (and ultimately Child himself) not caring for Cruise’s work here, but we dig it. On the other hand, the sequel (Jack Reacher: Never Go Back) just plain sucks.

10. Minority Report (2002)
Tom Cruise and Steven Spielberg only collaborated twice, but both projects were science fiction and both proved to be among the darkest films of each man’s career (the other is 2005’s War of the Worlds). Minority Report is based on a Philip K. Dick short story and stars Cruise as John Anderton, the grief-stricken, drug-addicted head of a specialized police department known as Precrime. The experimental operation prevents crime by arresting the perpetrator before the crime ever happens thanks to three psychics who can foresee the future. Naturally, Anderton himself is soon fingered by the psychics, called Precogs, and goes on the run as he tries to prove he’s innocent of a murder he’s yet to commit.
This one is a winner all around, from Spielberg’s breathless direction to Cruise’s complex performance (and a striking supporting turn by then-newcomer Colin Farrell). Even the world-building of the film, which envisions a society where surveillance of all kinds (including advertising) is omniscient and ever-present, appeared to predict much of our modern world today. It’s an immersive, kinetic thriller, marred only by one of Spielberg’s famously tacked-on “happy” endings, making for the only flaw in an otherwise top-notch collaboration.

9. Interview with the Vampire (1994)
We’re old enough to remember when late author Anne Rice objected to the casting of Tom Cruise as her signature creation, the vampire Lestat, only to turn around and admit she was wrong after actually seeing Cruise perform the role in the film. And we remember how we felt seeing Cruise in his 18th century vampire garb as well: tickled and entranced by his larger-than-life, decadent, campy performance, almost utterly unlike anything else he had done up to that point. Eyes glittering, blonde wig flowing, and teeth stained with blood, Cruise is decadent and deliciously evil in the role.
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