It’s been a good few years for gonzo high fantasy, hasn’t it? The rise of Critical Role and actual-play fantasy TTRPGS generally, a Dungeons & Dragons movie that was actually good, and now the explosive success of Baldur’s Gate 3.
In Baldur’s Gate 3, I find myself patiently wandering around the Underdark, trying to do enough cool heroic stuff to impress Karlach, the tall, buff berserker who used to work for an evil army but just wants to do good deeds now, and hoping that she’ll find room in her heart — whenever she gets a new one — for me, a humble bard. And since Baldur’s Gate 3 characters aren’t as horny as they used to be, it’s taking a while.
Fortunately, in the meantime, I’ve got my other favorite piece of media about a useless bard and their tall, buff berserker wife who used to work for an evil army but just wants to do good deeds now: the Day-Glo, anti-doomer epic fantasy explosion that is Coda. And double fortunately, Coda has a sequel that starts this week.
Coda has everything: A shitty little bard grown tired of heroic tales after magic destroyed the world instead of saving it; a setting with the weird factions of Mad Max and the even weirder bestiary of high fantasy; and a hero slamming syringes full of concentrated magic into the veins of his beloved, monstrous unicorn like so much nitrous.
Where D&D is a series of beautifully illustrated books all about my favorite goobers (whether in my own campaign, Honor Among Thieves, or Baldur’s Gate 3), Coda is airbrushed on the side of an extremely cool van. Both are great, but lots of people read the books, where I’m out here on the street going, “Holy shit, who owns this thing?!”
Writer Simon Spurrier is driving that van, while Matías Bergara furiously paints it. Their book, first published in 2018, served up a macro story about how we can save the world slowly by believing in people, or doom the world quickly by believing in heroes and magic. That was wrapped around a micro story about a man realizing he loves an idea of his wife, not the reality, and deciding what to do about it.
And all that was wrapped in Bargara’s frequently indescribable art.
We are living in a self-aware fantasy renaissance where we don’t have to settle for just one story about a monstrous lady berserker in love; we can romance Karlach in Baldur’s Gate 3 and read or reread Hum and Serka’s story in Coda. We don’t even have to settle for two stories: Serka and Hum return this week in Spurrier and Bergara’s sequel to Coda (also, and perhaps even more appropriately, called Coda) from Boom Studios.
So while I wait for Karlach to notice me, at least I’ll have something to read.
You can pick up Coda Vol. 1 on digital comics outlets and as a deluxe hardcover. Coda #1 (2023) hits shelves this Wednesday.
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